Gallen , Switzerland. For Laban we contacted Michael Craig-Martin, whose work we got to know and admire over the last few years, also because his approach to colour seemed so different to our previous experience.
Coloured, transparent polycarbonate panels are mounted in front of the glass panels and serve as a protective shield against sun, glare, and heat radiation and contribute to the overall energy system.
Das Gesamtwerk. Band 4. Edited by: Gerhard Mack. The Complete Works. Volume 4. Madrid, Arquitectura Viva, Nobuyuki Yoshida Ed. Monumento e Intimidad. The Monumental and the Intimate.
Hubertus Adam: Strategie. Laban Dance Center in Deptford, London. In: Felix Zwoch Ed. Laban Centre in London. In: Christian Schittich Ed. Fassade, Aussenwand. La Naturaleza del Artificio. The library, cafeteria and also parts of the production facilities and administration areas are, thanks to transparent and translucent walls, to be structured rather than separated. The upper story houses most of the studios: a dense fabric, like an urban center.
Each studio has a different size, height, form and color. The two spiral-shaped stairways connecting the different floors are laid out generously enough to become places for encounter. Two planted yards are cut in at different depths; they provide daylight to the interior and enable visual connections and a spatial orientation throughout the entire building.
They mark the locations where the stairways access the main stories and the planted roof area. Colors determine the rhythm and orientation both inside and outside the building.
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